in- and outside

I want to show myself, but at the same time I am afraid of it and many times I am hiding rather. But sometimes I also stretch my self–created frames, trying to get out, indicating that I exist. For the maximalism of my compulsion - which in many cases, manifested in an infinite retouching in relation to digital images - the finality and contingency of the polaroid means reassurance, I can not modify the image itself, but I can process it manually in any way afterwards.

2020, handmanipulated polaroids

Using Format